POST SUPERVISOR. EDITOR. COLORIST.
I earned a decade of production credits working in camera and art alongside filmmakers of the 90’s, including a stint on the set of Zoolander. Steeped in production and post, I founded and managed indie post house Solventdreams, a 15 room multidisciplinary studio built to support filmmakers achieve affordable finishes. During the studio’s run, I worked with up and coming directors and producers to established studio talent in both film and TV, including Blackfish, the doc that re-ignited awareness of Seaworld’s exploitation of orcas. My overall strengths lay in creating image-driven narratives from raw material, telling stories with cuts, hues, and oversight of the whole post process.